FOR MUSIC PRODUCTION 2018 PRO RECORDING STUDIO

For Music Production 2018 Pro Recording Studio

This was because Apple had a much more simplified approach and it was much easier for mac users to stay in that creative flow. The tools were just better, the software was better, the interface was better and the processors were quicker. As the only portable platform for Logic Pro X, the Apple MacBook Pro is everywhere in music production, from the DJ booth and pro recording studio setups, to working bands making music on the road and those of us displaying a Mac proudly on our home studio desk.Mac computers back in the day were more suited for music production. In years gone by, Apple has thoroughly dominated the best laptops for music production arena, or indeed any creative production. Also understand that there are new models of computers coming out almost weekly now, so donвЂ™t let the this one is new label get too into your head.Question: Q: mac mini 2018 audio production Pre Sales Question: Is the new 2018 mac mini powerful enough for proffesional audio production ( to run Logic Pro X, Studio One Pro, etc), if configured: i7, 32GB ram, external Thunderbolt 3 Lacie 2TB SSD, 256GB internal SSD We made sure to choose a wide range of types.

(AppleвЂ™s coming shiftвЂ”later this yearвЂ”to their own ARM processors will be a development that will bear watching.)RAM is integral to DAW operation. Some CPUs have a feature called hyperthreading, which effectively doubles the number of cores.Most computers use Intel CPUs, and again, while the smaller i3 model can handle minimal production needs, an i5 would be the entry level for serious production, with the i7 (or i9) strongly recommended for larger, more demanding sessions. While the dual-core CPUs often found in budget laptops can certainly manage smaller sessions, for any serious audio/music productionвЂ”especially if a lot of virtual instruments are usedвЂ”a quad-core CPU would really be the point of entry, with 6 and 8-core CPUs offering welcome additional juice.

However, given that SSDs tend to come in smaller sizes, capacity is a significant consideration. A SSD can provide a noticeably snappier, more responsive overall response and would be a good choice. The OS is constantly accessing this drive in the background, so speed and capacity are especially important.

Drive OrganizationTraditionally itвЂ™s been common practice for audio production to have separate drives for different functions, to avoid having too much competing traffic on any one drive. IвЂ™d suggest that a 500 GB internal drive would be a bare minimum, with a 1 TB (or larger) startup drive strongly recommended. The general rule of thumb for startup drives is to keep at least 20% of the drive empty at all times, to insure free space for background activity and expansion.

For example, a DAW studio might still maintain a dedicated audio drive, but keep sample libraries on the main SSD (where many are installed by default anyway). If SSDs are used, then the use of separate drives is less criticalвЂ”the electrical random access of SSDs is not subject to the same mechanical limitations. And of course all these drives would need to have backup drives.But the above scenario is based on the limited speed and physical activity of mechanical drives. Producers who make heavy use of sample-based virtual (software) instruments may also maintain a third separate drive for streaming samples, and for post production a dedicated video drive might be employed as well. That way, the OS can access the startup drive while audio is streamed form the dedicated audio drive without those tasks competing for the driveвЂ™s mechanical activity.

Plug-ins are also installed in specific locations on the startup drive, and must be in those locations to be recognized by the DAW. On a Mac, theyвЂ™ll be in the root-level Application folder. All applicationsвЂ”the DAW itselfвЂ”are installed on and run from the startup drive. What Goes WhereItвЂ™s important to know where the various components of a DAW-based system are installed, especially for troubleshooting.

Session Folder StructureFinally, itвЂ™s worth mentioning that most DAWs maintain the same format for storing sessions or projects, and you should make sure to stick to this organizational convention. If you make heavy use of virtual instruments, with many sample librariesвЂ”especially large commercial libraries, like from Kontakt-based instrumentsвЂ”then maintaining a dedicated sample drive would probably be the way to go. If youвЂ™d be using just the basic sample library from a DAW or one main Sampler plug-in, and if your internal drive is a fast SSD, then it should be fine to install sample libraries there as long as thereвЂ™s still that minimum 20% free space, plus additional space for the inevitable buildup of files. For example, on a Mac, AU and VST plug-ins are placed in specific folders in the root-level Library-> Audio->Plug-ins folder, while Pro Tools requires its AAX plug-ins to be in the Library->Application Support->Avid->Audio->Plug-ins folder.Sample libraries may be installed by default on the startup drive, though many provide an option to install them on (or move them to) a separate dedicated sample drive.

Wrap-upWith a little attention to the various aspects of assembling and optimizing a computer for DAW use and audio production, itвЂ™s possible to enjoy better, more reliable performance, without having to jump through hoops to keep everything up & running. When virtual instruments and samples are used, this can get a bit more complicated, but thatвЂ™s a topic for another day. ThatвЂ™s a beginnerвЂ™s mistake, but a fairly common one for people who are not used to working with filesвЂ”the session/project FileвЂ”that are not entirely self-contained, but rely on links to other filesвЂ”the. ItвЂ™s important to not remove the session/project File from its session/project Folder, which can make it lose track of the audio it needs for playback.

Mac For Music Production 2018